Download Ebook Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl

Download Ebook Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl

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Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl

Download Ebook Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl

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Review

Highly Recommended. Just Jazz Guitar Filled with well-written examples ... bask in the glory of having a lot of great material at your fingertips. --Downbeat Magazine

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Product details

Series: Guitar Method

Paperback: 82 pages

Publisher: Hal Leonard (February 1, 2003)

Language: English

ISBN-10: 9780634001444

ISBN-13: 978-0634001444

ASIN: 0634001442

Product Dimensions:

9 x 0.2 x 12.1 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#336,305 in Books (See Top 100 in Books)

Seems to be a lot of well written reviews on this book already. I do agree there is a lot of material packed into 80 pages. Example are short, practical , well written and to the point. Not for the beginner.Would be helpful if one already new their Major Scales and fingering, and the diatonic chords built on the Major scale along with some music theory.Also knowledge of Bar Chords and some of their extensions would be helpful. Over the years I have gone through many of the so called popular methods such as the Ronny Lee's and Mickey Baker's books. I find this book to be the modern version of these books.Lots of good up- to date information and condensed examples that can be applied to one's playing for the serious student of Jazz Guitar. And if you find the book to difficult or moving to fast, perhaps you are not ready for this level of guitar playing . Also consider that a good teacher might be able to direct you in the right direction, or pace you through this book based on your experience and knowledge.

Not laid out in a manner I prefer but all the content is great and I know enough to use what I need.jazz is not really for beginners anyway so yeah its a good book if you can already play.

Excellent book. Many good jazz chord progressions. Lots of jazzy licks in tablature. Has some really good jazz standards. The CD is very helpful. I would say that this book is good for intermediate and experienced players.

I bought in the kindle version, i can't see some pages because the images are too small. Also i didn't receive the audio. I recommend to buy the paper version, not the kindle one.

This book is information dense and it's going to take a bit of time to soak it all in. All in all, it's great book covering alot of ground.

This is a great book for learning the basics of how to play jazz guitar. While it's not necessarily for a beginner guitarist, it's still a good book for learning jazz.

I really enjoyed reading it. It’s Good for beginner. But the contents were not simple. Many things to think about and practice. Thanks!

The book seems to attempt to present everything in 80 pages.To illustrate, on the 8 first pages on chords, 80 different chords are presented (all with the same root, C). The title of the ninth page is "Other common chords".Sure, these are all chords that are used in jazz, but the challenge is to get so familiar with different chords that changes are almost second nature, and then I -for one- need the information presented in smaller chuncks and some excercises to internalize the information. Within the 8 pages there are 4 pages of chord progression that you may play to use the different chords. But even playing through them 10 or 20 times is not sufficient to learn 80 chords. (The chord chart is provided for each chord, so you do not need to remember any chord to play the progressions, which also slows the learning.) Moreover, there is no explanation of how each chord is derived from more basic forms, these are simply 80 independent objects to remember.All these chord progression is played on the accompanying CD, and with a definitely jazz-comp feel. However, while the book indicate an even strumming, four beat per measure, the actual playing in the CD is a syncopated rythm. Moreover, the bass is more prominent in the sound than the guitar, so it is hard to pick up the rythm used on the CD. The guitar is not isolated in one of the channel, so it is impossible to enhance it. This is a larger problem later, where the ensamble is larger with a sax, a piano, bass and drums. The guitar comp is very hard to isolate, to figure out what is going on.When it comes to improvisation the picture is the same. While other beginning books sticks to the major scale for a long time, the book jumps right ahead to harmonic minor, melodiv minor, diminised and whole tone scales. You are told that over the dominant chord you may use the mixolydian, he Prygian dominant, Lydian dominant, Super locrian, Dominant diminished, Whole tone or mixolydian scale. All this information is given before the first example of a solo is presented. And when the first solo is presented there is no analysis of it. Presumably there is no need to, all the information is already presented.If you already know a lot about jazz guitar, but need a short summary; a place to look up jazz-chord, fingerings of the different scales, brief review of which scales to use on which chords etc. This may be the book for you, hence the two stars. This also applies to those who have tons of book but lack one that summarizes it all. But as an instructional book for those who want to learn jazz guitar however, I would not recommend this one.

Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl PDF
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Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl PDF

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Hal Leonard Guitar Method - Jazz Guitar: Hal Leonard Guitar Method Stylistic Supplement, by Jeff Schroedl PDF

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Ebook Delavier's Stretching Anatomy, by Frederic Delavier

Ebook Delavier's Stretching Anatomy, by Frederic Delavier

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Delavier's Stretching Anatomy, by Frederic Delavier

Ebook Delavier's Stretching Anatomy, by Frederic Delavier

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About the Author

Frédéric Delavier is a gifted artist with an exceptional knowledge of human anatomy. He studied morphology and anatomy for five years at the prestigious École des Beaux-Arts in Paris and studied dissection for three years at the Paris Faculté de Médecine. The former editor in chief of the French magazine PowerMag, Delavier is currently a journalist for the French magazine Le Monde du Muscle and a contributor to several other muscle publications, including Men's Health Germany. He is the author of the best-selling Strength Training Anatomy, Women’s Strength Training Anatomy, The Strength Training Anatomy Workout, and Delavier's Core Training Anatomy. Delavier won the French powerlifting title in 1988 and makes annual presentations on the sport applications of biomechanics at conferences in Switzerland. His teaching efforts have earned him the Grand Prix de Techniques et de Pédagogie Sportive. Delavier lives in Paris, France. Jean-Pierre Clémenceau is a fitness coach to the stars and has trained numerous French celebrities using an approach based on positioning and breathing. Clémenceau has worked with legendary actresses including an Academy Award winner Juliette Binoche (Chocolat, The English Patient, Three Colors: Blue, The Unbearable Lightness of Being), Charlotte Gainsbourg (Melancholia, The Science of Sleep, I'm Not There, 21 Grams, Elektra recording artist), Emmanuelle Béart (Mission: Impossible, Don Juan, Manon of the Spring), and Jane Birkin (Blow-Up, recording artist, muse to musicians John Barry & Serge Gainsbourg, and namesake for the Hermès Birkin bag). He is the author of over 15 health and fitness books as well as numerous exercise DVDs. He has a background in yoga, shiatsu, and reiki. Michael Gundill has written 13 books on strength training, sport nutrition, and health including co-authoring The Strength Training Anatomy Workout. His books have been translated into multiple languages, and he has written over 500 articles for bodybuilding and fitness magazines worldwide, including Iron Man and Dirty Dieting. In 1998 he won the Article of the Year Award at the Fourth Academy of Bodybuilding Fitness & Sports Awards in California. Gundill started weightlifting in 1983 in order to improve his rowing performance. Most of his training years were spent completing specific lifting programs in his home. As he gained muscle and refined his program, he began to learn more about physiology, anatomy, and biomechanics and started studying those subjects in medical journals. Since 1995 he has been writing about his discoveries in various bodybuilding and fitness magazines all over the world.

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Product details

Series: Anatomy

Paperback: 143 pages

Publisher: Human Kinetics; 1 edition (November 7, 2011)

Language: English

ISBN-10: 1450413986

ISBN-13: 978-1450413985

Product Dimensions:

7.8 x 0.5 x 10 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

95 customer reviews

Amazon Best Sellers Rank:

#19,707 in Books (See Top 100 in Books)

One of these great books made the astute statement that stretching so that one is like a contortionist isn't an advantage, and is quite often a detriment. We are in the 2010's folks, not the 80's. Marathon masters don't stretch much which translates to more of plyometric, springy gait, a definite speed and energy advantage. Warming up is important ! And appropriate stretching for your sport. If you sit a lot, or do repetitive motions a lot of the day stretching will make your body feel great and reduce the chance of injury. Let Delavier's books SHOW you the proper way.Great illustrations ! Great information ! Good for beginners. Even better for intermediates and pros in that you can really see what you have been doing already. Some of these books have explanations about injuries and prevention. As they indicate they spell out exercises for different athletes to stress. I've been lifting for over 45 years and am astonished by what goes on in the weight rooms. Some of the "exercises" people do are useless, some are dangerous. Most people lift far too lightly to get all but incidental benefit. (That being said, if you are just starting out go light on the weights with proper form !!! One must train the ligaments and tendons first ! Those take longer to train than muscles.) To this end I have purchased several of these to be put in the weight training and stretching areas of the gym I use just so people can "see" what they are doing and to learn other ways to do it. Ahnold said, "I get ten times the results when I visualize the mahcells I am training ! " He should know ! . . . Additionally, research has shown that people get more benefit from aerobic training when they don't distract themselves with Ipods or TV.. Just a thought.

While the visual presentation of the book is impressive, there is too much misleading, or only partially correct information here. I was looking for an advanced stretching guide and this is not it. Here are a few of the problems with the book:1- There is a lot missing. For example, one of the challenges of stretching the shoulders and chest is that some muscles in those areas are quite difficult to stretch. Rather than addressing that difficulty these muscles are simply omitted. There are no stretches presented for the muscles that form the rotator cuff. P 38 has a picture of an arm holding a weight but there is no discussion of how to make this an effective stretch. The important thing for the Infraspinatus and Supraspinatus of the rotator cuff is inward rotation of the Humerus. If this is discussed in the book I can't find it. Additionally, the Serratus anterior isn't even mentioned; and there are no effective stretches for the Subscapularis or Pectorals minor in the book. It does state on page 47 that the stretch pictured "stretches all the chest muscles and the front of the shoulder" I would say this is misleading because just using that position does not assure a proper stretch of the Pec minor. This is a problem with attempting to use a single stretch to target several muscles, a single position is going to stretch some muscles better than others and some muscles might not get stretched at all.In advocating for specific stretches its important to take into account the origin and insertion of the muscles, otherwise stretching will be less effective. Examples of suboptimal stretches can be found in several places in this book, here are just a few examples: The stretches for the extensors of the wrist and fingers (p. 56) are not as effective as they could be because the fingers are not flexed. Further, since some flexors and extensors of the writs and fingers cross the elbow having their origins on the Humerus; stretches for these muscles need to be performed with the elbow straight. Thus the "praying hands" position (p. 55) is not the best stretch, nor is the "standing version with fingers pointing down" (p. 56) as they are both performed with bent elbows. The stretches on p. 54 and 55 performed seated or kneeling also have problems. On page 54 the fingers are somewhat flexed, but to perform the stretch properly the fingers really need to be straight. On p. 55 the hands are positioned out in front of the body rather than along side the body. This makes it more difficult to control the amount of stretch. Finally, in the diagrams of the forearms the Flexor digitorum profoundus and Flexor digitorum superficialis are omitted, thus the primary muscles that the flexor stretches target are not even mentioned.2- Although it was published in 2010 there is information included here that is considered obsolete by some experts. For example, there are several places where the book advocates stretching prior to activity, but the research does not seem to support this widely held belief. Athletes who stretch prior to activity perform no better than those who do not, and injury rates are similar for stretches and non-stretchers alike. (Dynamic stretching may be an exception to this) Also, there are a number of activities shown here that stretch muscles that are being contracted. Stretching and contracting are opposite actions and it's not helpful to attempt to stretch a contracting muscle. Thus all the standing stretches for the hamstrings (there are a good number of them in the book) are not going to be as effective as seated stretches. I know that standing hamstring stretches are very common, but since the hamstrings are "anti-gravity" muscles -they have to contract to keep us in a standing position- better stretching technique is achieved when doing seated stretches.3- The vocabulary is odd at times. It seems like the authors or the translators (this is a translation of a French title) could not make up their minds regarding the use of correct anatomical terms. Readers used to accepted anatomical language might be surprised to see odd language used to describe things that are easier to describe using the standard vocabulary. I do understand that authors are concerned with making books on anatomy accessible to readers. But it only takes a few minutes to learn the meanings of terms like proximal and distal, superior and inferior etc. So why not just do what most other books do and include a few diagrams in the beginning that show the meanings of these terms?4- If you have even a little exposure to stretching, then there is a good chance that you already know, and have performed many of the stretches in this book; and you won't have insights as to how to perform them better after reading it. There are ways to do these stretches much more effectively but that information is not presented here. This despite the fact that some headings state that the stretch pictured is "advanced." Sadly, the text often omits the details of how and why to make the stretch advanced.I am going to say that this title is not a good text to use on its own. I am sure the illustrations will be beneficial to many, but really this book needs to be paired with a good kinesiology text such as Anatomy of Movement, or Manual of Structural Kinesiology.

My boyfriend ordered this book for me and it is the best! It has great photos and it walks through the anatomy in a way that easily understood. I started at the beginning and am reading all the way through. I recommend it for anyone wanting to stretch right and know the mechanics of it.

I've got several of Delavier's books and the illustrations are always great, very detailed, clear, what have you. Refer to it for stretching and when I have an ache or a pain. Very useful book.

Timely delivery; unique product. Being able to better visualize the specific muscle groups involved with various stretches (and sports) has been helpful as a motivational tool, as well as a guide to help with interacting with trainers and medical staff in a more informed manner.

Very informative-great for learning parts of the body and how to stretch

If you lift, you need to know your own muscle anatomy. No one illustrates that better than Frederic Delavier. This may be the best sports anatomy lesson that a layperson can get. Delavier's French fitness models aren't hard on the eye either, even with no skin on.

Another great book by Delavier!

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Delavier's Stretching Anatomy, by Frederic Delavier PDF

Delavier's Stretching Anatomy, by Frederic Delavier PDF

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